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Are Dell computer products displaying more & more elements of beauty and fashion?  In my opinion–yes. I have been very familiar with their computer products for about 15 years, and one thing I have noticed in the last couple of years is a definite shift in their product designs. In my opinion, in what we are seeing come to market, the physical designs, colors and textures now incorporate more elements of beauty & fashion.

One of the latest products out of the starting gate is the Dell Studio 19. This product went live last week, and now I can show you some behind the scenes images from the lifestyle shoot from early March.   Regarding image quality, please understand these snapshots were taken with my iPhone and not my Canon 5D

The property we were at, for the shoot, was an absolutely gorgeous private residence in south Austin, with huge windows that let in lots & lots of light.

When we arrived and completed the round of introductions with the owner, we then met Luda, the Pug.  Luda was to be our escort and companion for the entire day. I couldn’t stop thinking of Men In Black the entire time we were there.

This was a 2 day shoot with Bryan, who is the senior photographer from the Dell Studio here in Austin, and a crew including creative directors, online designers, set designers and 3D animators.

There were three set ups for the shoot, with two downstairs in the kitchen and two upstairs. First–the kitchen . . .

As is standard practice, Bryan was shooting with the Canon 1DS Mark II (tethered to his Dell Precision notebook) and shot into Phase One’s Capture One Pro.  This affords him, and the rest of the creative crew, the opportunity to preview the shots as they were taken, and make changes on the fly.

Images from this set of shots made it into the Studio 19 promo video that can be seen on the Dell website.

All the time we were shooting downstairs, Luda was reviewing the situation from halfway up the stairs.

Then it was on to set up #2–shooting different color Studio 19 products with different arangements and accessories.

Here is the first glimpse of Bryan reviewing the shots–he had to do this under the hood to eliminate external glare from all the windows.

Here we can see one of the bounce cards used to create a reflection on the screen of the product.

It all proved too exciting for wee Luda

Only 4 more to shoot, Luda . . .

The best spot for Luda to take a rest proved to be right on top of a Tenba bag full of our Chimera & Broncolor softboxes.

Somewhere in the middle of the day, Don, from Magnetic Dreams Animation Studio, and Lynsey went off and came back with the best handmade chocolates ever.  One of the boxes was from Breed & Co from Austin TX, and these were incredible treats that were well received

With touches from the set designer and other members of the creative team, the scene was created for each of the products we were shooting.

Of course, one could not go 10 mins without running into Luda.

Finally, when the shoot was over, Luda could rest–it had been a tough two days.

After the 9AM performance, we had an opportunity to go off base with Major O’Donnell–to a local restaurant called “Jim’s place.”  This establishment didn’t match our idea of Kyrgyzstan, where we were told an average annual salary could total as little as $1,000.

Out at the back of the restaurant, there was a frozen lake, where we saw local families skating on the ice.

Group shot taken at the lake with our security escorts and the major. . . .

After our offsite excursion to grab lunch, we returned for our briefing with Colonel Christopher Bence–376 AEW Commander

and Master Sergeant Kevin Soltis–376  AEW Commander Chief.

During this meeting, we were educated regarding the range of functions provided by the base in relation to current campaign efforts,

a history of the base, 

amd the local community efforts the service men and women put their spare time and personal funds into.

Another important element in the briefing was our introduction to the tradition of  the “Challenge Coin.”

While explaining its heritage and how a challenge is issued, Commander Bence presented each member of the group with a Manas Air Base coin.

With the meeting over, we waited in the hall while Colonel Bence wrote a note to Lisa’s nephew, who dreams of signing up,

and we heard a few more stories from Chief Master Sergeant Soltis.

Then it was off outside

for a group shot.

After this meeting ended, we went to the armory to meet with Farnham (unknown rank)

and Staff Sergeant Harrington.

They gave us the rundown on everything–from the more common weapons carried by airmen, to tracer bullets and night vision. Anita and DJ Chicken George checked out the night vision.

Lisa interviewed our hosts for the documentary.

Leaving the armory with Master Sergeant Hinen, Harrington and Farnham came with us to to spend the remainder of the afternoon. Master Sergeant Hinen took us out to the woods in a convoy of hummers–so we could grab another photo opportunity.

Trust me–this is not a political statement–just an interesting contrast.

Our driver, Master Sergeant Hinen.

The view from the gun post on top of the hummer–I couldn’t help but feel very exposed up there.

Time to pose, people. Take your places.

All happy . . .

all serious . . .

Dj Chicken George bringing it.

Ready for his closeup.

Aldo, protecting the border.

You don’t want this long arm of the law pointing its finger at you.

Zeale–the only thing he knows how to do is bring it for every camera opp.  

Zeale needs no coaching for posing–he’s got it.

We can’t have the lead singer slip.

Hey Anita–stop pointing that weapon at my head.

There–that feels better.

The entire crew.

Thanks to Jerry Sullivan, owner of Precision Camera, Austin Texas, for his generous sponsorship of my tour to the middle east.

Hananexposures Middle East Tour sponsor Precision Camera - Austin Texas

But this time I really liked it

I was assisting Dell senior photographer, Brian Kuntz, on a shoot, doing corporate profile shots in the Executive Briefing Center, and we were setting up the lighting for a shot after lunch.  Once the location was to Brians liking, I was the stand-in model (to enable Bryan to shoot and make sure the lighting was to his liking before the real subject arrived).

For this shoot, Bryan was shooting with the Canon 1DS Mark II, which was tethered to his Dell Precision Notebook.

Because he was tethered, I was able to see the images appear on the notebook screen as he took them, and when I saw this one, I actually liked it enough to get a copy for myself.  It’s a little uncommon for me to get a shot of myself that I like.

Voila!

This is me with Vincent Laforet, who, in my opinion, quite possibly did more last year to create buzz and hype about the new 5D Mark II than Canon.  This is not a slam on Canon; it is more a testament to Vincent’s skills in creating an incredible video, called Reverie, (in 72 hours) while having a pre-production 5D on loan from Canon. Vincent is a Pulitzer Prize Winning Photographer and one of Canon’s “Explorers of Light.”

My story:

Having watched Reverie a number of times and gazed at the beauty that the new 5D is capable of creating, I was insanely delighted to read my e-mail from the Austin Center for Photography, that informed me that the ASMP and Austin Community College Photography Programwere hosting Vincent Laforet for one evening on the ACC campus– just a few miles from my house in north Austin. To have someone of his calibre make a stop in Austin was simply incredible and definitly not to be missed.

I drove down to the campus, with my assistant, (the lady in focus with her finger raised telling me to shush )

to hear first-hand accounts about Vincents photography career, and to hear about his experiences in making Reverie.

When we entered the packed studio at ACC, there were no seats left and it was almost completely dark becuse the lecture had already started. Thankfully, once my eyes had adjusted to the dark, I could make out a bench that the masses had missed and so we got to avoid sitting on the floor.

With the presentation over, there were alot of questions from the local photographers & students for Vincent.

Once the event was completely over, I had a chance to speak with Vincent,  and I gave him the opportunity to have his picture taken with me.

Little did I know . . . that was not the end of the story. During my conversation with Vincent–which was really just me telling him that he was mad inspiring with what he did with the camera–he mentioned that the following day he would be speaking down at UT, and his talk would be focused more on photography than on the video aspect of his work.

The following day, I made my way down to a UT lecture hall and slipped into my seat moments before this next slice of Vincent’s career was served to eager minds.

Included in the lineup from his video portfolio were Reveire,

the work shot in Hawaii with surfer Jamie O’Brien, and footage from Vincents work with Acroback, a performance design firm skilled at many disciplines including the craft of Parkour. Elements of the work with Acroback included showing the 5d shooting video through a Canon 800mm 5.6

For my $, this was even more inspiring than the work Vincent did with the new 5D.  The images he showed included those where he had photographed cities, sporting events, and nature; while strapped into helicopters, or hanging out the sides of buildings like the Empire State Building, ((Vincent’s wife is forbidden to read this part sometimes without a harness).

The results spoke for themselves, and when I viewed them on the big screen in the lecture hall, they caused me to turn to my friend, Steve, and voice my doubt that my camera was even real anymore.

It was so inspiring, I wanted to both leave to shoot something immediately, and throw in the towel all at the same time. Much to the relief of my wife, and my bank, the desire to shoot outweighed the desire to quit

Of the moments he shared from his 20 year career, I remember (hopefully accurately) the following:

“I could scream but no-one will hear me. . . . ” This was an element from a story about getting stuck going up the ladder,  in the spindle, at the top of the Empire State Building, because of a lens that he was carrying in a pocket.

“It’s always good to make friends. . . . ” He told of the time he got to shoot the Towers of Light, in NY City, because of a friendship with one of the architects. He shot from a platform that was specifically built inside one of the towers  for him. Vincent also mentioned that this shot was the first image after 911 that the NY times published that was positive and reflected hope.

“I don’t wake up with epiphanies. . . . ” Boredom spurs his creativity.

“Trump asked me if he could fire me. . . . ” After photographing Donald Trump looking down on his new golf course from his helicopter, Donald asked Vincent if he could fire him. Once Donald clarified what this meant, Vincent was posed in a scene of Donald Trump firing him on the golf course, which resulted in some brilliant images for Vincent’s personal collection.

“Never give up, even when you think you will never be hired again. . . . ” (no, not related to the Donald incident. )Vincent was covering a Superbowl event for a newspaper and, because it rained and rained and rained and the lens kept getting wet and the teams actually played for such a short time, Vincent thought he actually walked away from the event with nothing.  Thankfully, when he checked through everything on his computer, he discovered a completely fabulous image that captured the winning touchdown in the rain.

” . . . more swimming pools per capita in Phoenix, AZ, than anywhere in the world.” When Vincent went flying to try to get an aerial shot of people out in their back yards, enjoying their pools, he only discovered one pool with occupants after flying for close to two hours.

” . . . Berkley, CA,–more bicycles than anywhere in the world.” Maybe I took this down incorrectly; my brain seems to want to shout that Beijing would get this honor.

” . . . sports photography is all about the background.”  This can be proven by looking at his amazing work at sporting events, including the Olympics. Instead of the subject getting lost by their surroundings, they stand out as if placed there for Vincent.

When the presentation ended, the lights came on and it was time for questions from the UT students and visitors.

And now . . . some 5D/Reveire related info plucked from different moments throughout the evening.

Apparently, Vincent wasn’t originally on the list to get to test drive the pre-production 5D.  I won’t go into the whole story, but let’s just say that a rescheduled lunch appointment, a visit to the Canon offices, some quick thinking on his part, persistence, and a little begging won him a 72 hour gift from heaven that opened new doors for Vincent to display his creativity and expertise.

Once the Reverie video was posted online, without e-mailing anyone, it had 1/2 million hits in 4 hours and 2 million within the week. When it went on the Canon site, it got more traffic in 2 days than the entire site had been used to in a year, rendering quite the bill from Akamai.

After the lecture was over, Vincent shared he was eager to head back to NY, since he had just gotten news that his wife was even closer to giving birth to their second child. God bless with the new child, Vincent–I look forward to the day when our paths cross again.

Gerry